Afternoon Stroll
Room to Grow
Resting Spot
The G Train
Afternoon Stroll
Room to Grow
Resting Spot
The G Train
for my niece Xondra
A window draped with night
like a road in rain reflects
my face, two passing taillights.
The pane is cold and hard and smooth
as polished stone.
Touch stains the glass.
At three a.m. abandoned streets
draw every destination close.
Pain pills. Alcohol. Cocaine.
The coroner’s report was clear.
From an alley view,
what could he know of you?
But the dead are made of what the living write.
No life can be rebuilt
from words we never say.
Maybe a better craftsman
will someday raise a house for you
with a wide window on an avenue:
a window to show you, hold you
arriving home, headlights blazing,
country wailing on the radio—
maybe Patsy; maybe Walkin’, I Fall, Crazy—
maybe with time to listen,
time for a last cigarette.
You inhale…eyes spark.
Sigh…they close against the smoke.
See the high-ceilinged living room?
The richly upholstered easy chair,
a desk for correspondence,
a lamp waiting, always alight?
And reflections. Can you see us
rewritten, reframed—maybe forgiven—
there, both sides of night?
The Historic Davenport Hotel, Spokane
Captured, she eludes us.
Farthest foreground in a chair half-turned
from the long table the young woman sits farthest
from the bride, hands in her lap, back straight as if
holding her breath. She alone among the guests
looks away, refusing to return our gaze.
Repolished marble floors. Ceilings repainted
and regilded. Photographs on the mezzanine
reframed, rehung. We’d stop there overnight
that long year of your mother’s dying.
The Peacock Lounge. Beneath a hundred
stained glass eyes, blue-green-yellow feathers,
we’re sitting in a booth recounting countless hurts.
Pain she suffered and inflicted.
Yet there were mornings when it felt enough
just to wake beside you and take in shared rhythms
of our breathing, behind closed eyelids certain
dawn was restoring corners to our room.
Black, white. The only words the camera had
to render her lavish gown, her woven hair. Glass cast
and colored for sightless eyes, wings never spread.
On an unyielding pane our faces faltering, fragmented.
And your mother never changes.
But midnight footsteps in the empty lobby.
Laughter unrepentant from an upper room.
Cigarettes unfurling, glowing endings flying
past windows that still opened. Was I half-
remembering or half-dreaming then?
A lens, I hope, before the shutter.
A renumbered door for new numbered days.
Memory, love, set free.
The photograph: A Wedding Banquet in the Hall of the Doges, 1909.
There is a pain
It feels like school dances and crowded carousels
Conversations with no pauses for a breath or a sip of beer
Records left skipping as people filter out of doorways
It is a pain that lingers longer amidst the swarms of bodies
A pain that finds a way to seep through the crowd
I believed it must be loneliness
For loneliness was the chair beside the window at a party
Where no one bothered to sit
Simply because the breeze might pick up and sneak through the cracks of
the old window panes
And who could ever desire the cold
When there is a certain warmth that accompanies the stinging
swig of a drink
And the feeling of her beside you as she brushes against your hand
Yet this pain burrowing in the pit of my chest
This breeze that makes me shudder
Could never be loneliness
Yes, loneliness was a wooden chair
But it was also a joy
Loneliness was knowing that my solitude was not in vain
That looking up at the sky as the clouds fill with rain and lightly spill
That watching the faces change around me when that song
burst forth from the speaker
Was not a nagging sorrow
Yet perhaps a painful delight
For I received a greater amount of satisfaction from observing
Amidst the foaming drinks and the worn out floorboards and the way
the moon looks through the cracks in the roof
I felt at peace
Heartbroken that I may never dip as deeply into the human desires of
the flesh
Yet thankful that it was occurring right before my eyes
So I may watch and detail the events of those winter nights
I saw
Each bit of the pain and the pleasure
And every part in between
Every part that makes us scream our humanity through lyrics
strung together and lights burning too bright
I write
For the people who experience
The people who vanish with their desires far into the night
The slow, unrelenting fog
Rolls in from the sea
Is it merely meant to blind and suffocate me?
I stand as strong as a pillar
A beacon through the gray
And watch as the ships I call are still led astray
I once knew true warmth
Amidst the sun and the waves
Amidst the lapping, cool waters
Long painted days
My light reflected across the water’s midnight blue
And was the radiance that brought my aching heart to you
Storms arrive, as they must
Despite how desperately I tried
To let go of the reins
To shed my grounded pride
I once battled the forces that dared to frighten me
Yet summer days soon became but a child’s fruitless plea
I can still hear their screams
The spray and the dust
Hulls splintering against rocks
Anchors tainted with rust
I had become what I most feared
What a sight to behold
A lighthouse unable to combat the wind
Unable to withstand the cold
The fog
Once an idea
Now realized and true
I cannot seem to salvage my heart’s tie to you
Our ship crashed and fractured
Our bright sails torn loose
Solitude is an inevitable, yet merciless truth
I am a lighthouse
Yet was I destined for this?
A solemn existence of which few may wish
Isolated and stoic
Silent and proud
The voices that once whispered within me grow hungry and loud
They clang and they clatter
What a torment, I cry
They make up the hazy mist that settles as it lies
For the solitude that crowds and blinds my true view
Is a fog that no lighthouse may ever break through.
How do I know if I lost myself
I wanted to scream
From the tops of the buildings
From the chimneys with steam
Yet my voice grew hoarse and my lungs hung sore
For no sound can surface from behind a closed door
How can others play their roles so well
I never did know
From the chrysanthemum’s blossom
To the flurries of winter snow
Everything had a time and a place
A colossal event for which I was unfathomably late
How can I piece myself together
I endeavored to try
With each steady stitch
Behind both tired eyes
The fragments of heart, the prices I owe
Made up someone familiar who had escaped long ago
Oncoming Traffic
Ocular Symphony
Below the Surface
Leaves fall like tawny water droplets from the trees
Here in my sweetest memories
Nostalgia swirls across my mind like ballet dancers,
In coordinated movements
Plie, allégro, arabesque
I have to halt and catch my breath
Throngs of teenagers
Outside the corner store
And I’m there
Wishing for more
One day I’ll find it
And then I’ll wish for this
Dreams of pastry with savory sauce
The bite of ice in winter
A church cast of stone with a blood red door
Her edges slightly splintered
Trees bare and dark, silent, still
Tidy rows of infantrymen
A cardinal on my windowsill
A lake thaws with the dawn of spring
Dissolving like a stratus cloud when the sun rolls in
Summers marked with the brine of clams
Wafting down the beach
From shanties up above
I hear a tinkling song in the distance
Calling me back in time
And I’m in love
I did not ask for you to catch me.
I knew my wings were dipped in weathered wax.
Who are you to prevent me from my fate?
Why fall, if not for devotion?
Thrusting inherently ruptured wings,
our souls met but for a second,
a triumph reserved by the gods.
Warmth, desire, passion incarnate,
I welcome his engulfing fire.
For him, I’d damn myself in the fall of flames,
dancing in the ashes of our eternity.
*
Dancing in the ashes of our eternity
for him. I’d damn myself in the flames.
I welcome his engulfing fire.
Warmth, desire, passion incarnate,
a triumph reserved by the gods.
Our souls met but for a second,
thrusting inherently ruptured wings.
Why fall, if not for devotion?
Who are you to prevent me from my fate?
I knew my wings were dipped in weathered wax.
I did not ask for you to catch me.
Were I a scientist
rather than just
a wondering guy,
I’d study what shows up
like a person in a room
when you look around
and she’s there.
Give me a maze, some electrodes
and a pen skating across a graph,
a rat with obstacles and tasks,
anything for experience,
the kind that sinks
without being missed,
like the girl who came
to school for a year,
then moved away.
I’ll comb the creature’s cortex
for evidence of where memories go
until something lights them in the mind,
or is it more like
a flat rock lifted,
exposing billions,
ready to be revived?
EB more present in later poems. The figures walking up and down the icy
beach…we stand back from them…we see more of the human condition mimed
out for us than ever previously.
James Merrill, diary entry
We couldn’t tell
if he was digging
for a living or vacation play,
waders stained by salt
and weathered Igloo cooler.
Two kids nearby
looked nothing like him,
nor did their mother
with rolled pant legs,
so there went the grandfather hypothesis.
When my wife asked, “Any luck?”
he shook his head
with a self-deprecating laugh
and said, “But it’s fun.”
Across the tidal strait
lay Duxbury Beach proper,
the one in the Elizabeth Bishop poem with the line
On the way back, our faces froze on the other side.
A sunburned teen
had turned us away
as non-residents,
so we re-crossed the causeway
and settled for this shorter, littered,
waveless substitute,
the old guy and the family
filling in for creamy summer natives.
Instead of walking
in the poet’s vanished sandprints,
I looked down at my wife’s toes
and imagined they were hers.
Passing the clammer on the way back,
we smiled on our other side.
I have memorized this way of thinking
a road that stretches across the darkest hours
the kind you learn young by the feel of its curves
dips of sunken pavement you could drive blind
the foot moves between pedals
before I am aware, automatic motion and emotion
fused into neural pathways, reflexes travel through the body
the way headlights always find the broken glass
clinging to the rotting wood of a windowpane
on the old barn, rounding
the corner past the graveyard, past
the tombstones for fuel tanks they used to call a gas station
I want to forget this way but there is no other
maybe I can forget this whole town, fallen
left for dead as leaves lifted, floating
in the wake of passing tires
maybe I can unlearn this place
hold my breath when the doctor hits my knee
breathe hard through the tap of the hammer, the impulse
to hit the blinker and make that turn
drive down dark roads that scare me back home
maybe I can close my eyes and grip the wheel
believe that this map unfolds, that if I let go
there will still be road
one more gentle to know and less cruel to learn
Nevada 164 was a miserable thing, even before the bombs fell. The narrow strip of road cut through the Mojave Wastes, connecting the paltry town of Searchlight in the east with the even less impressive settlement of Nipton to the west. Mostly it sat unused and abandoned. On rare occasions, a caravan or two would trek it, typically slavers from whatever remained of Southern California.
On the slope before the entrance to the road, a young man. He leans against a sign, though the letters have long since faded. His name is Gene. He is of medium height, athletic, clean shaven. From a distance, you couldn’t tell him from Adam. He gazes out at the Wastes in front of him. There is chewing tobacco in his mouth, and he enjoys it thoroughly and without haste, savoring it between his teeth and his gums. In his hand is an old rifle, a Remington, chambered in .308. He calls it Ruby.
Behind him, a blue sky. The sun has just risen beyond the distant horizon, and now the town of Searchlight, the only home he’s ever known, is cast in shadows by its light. The heat is blazing. It scorches the already-scorched earth beneath his feet, but he has to walk now, or else he risks being out after dark, when temperatures can dip below freezing.
He spits, slips his rifle onto his back, and begins to walk along the shoulder of Nevada 164, towards the heart of the Wasteland surrounding.
He had told the old man his plan just the night before. They had been sitting together—as they usually did, in the usual spot—just outside the old man’s home on the western edge of town, since Marlow didn’t do so kindly to them hanging around his bar. And you couldn’t beat that view.
They traded stories of days gone by.
“What other sorta stunts did y’all pull?” Gene asked. The old man chuckled.
“Nothin you ain’t gotten up to yourself, I suppose. Just that it was easier back then before this whole Harvey nonsense and all.” In the last few years, a man named Harvey—one of those “old world” types who went around speaking about the way the world used to be—tried to organize some sort of government within the small town. They even started some kind of school in one of the pre-war ruins. Not that Gene was young enough nor interested in such a thing. “Used to be if some fellow did somethin unruly—spilled some undue blood or what have you—couple guys would get some rope, and that was that. Matter solved. Now we’re supposed to go through ‘proper means,’ or however he puts it, and ain’t nobody gonna get their just deserts. Well, hell, I lived in the ‘old world,’ and I don’t see what’s so bad about ways things was before.”
The old man was the only person left in town who lived before the Great War, as far as Gene knew. Although, he was very young when the bombs fell, and supposedly, his only memory from before had something to do with his mother.
“A damn shame is what it is.” Gene shook his head. “Now get this: the other day, I find myself on the other side of town. Now, I figure there ain’t many people living in them ruins, and even if there are, I figure they’s not gonna care much if I go picking through there. Well, I find myself a place I haven’t explored much before, and ’for I can even step foot inside, Old Mr. Jones comes out with his piece aimed at me, and he’s hollerin something about ‘his home’ and cursing me out and shooin me away. Now, how was I to know he’d taken up in there for the night? Last I knew he was living on the West side with the rest of us, and now all of sudden he’s talking about ‘my property’ and ‘trespassing’ as if pre-war ruins ain’t fair game no more.”
The old man offers a disapproving grunt and shakes his head.
“Suddenly folks tryin to cling to ways of a world already dead. Bunch of delusional types, like them individuals up in Vegas playin dress up all day. You hear they tryin to get us to trade in their own currency now? Them chips from the casinos there, those little colored things. Wantin us and all the other settlements ’round this area to switch over. Some kind of scam if you ask me. Not that anybody would. They’d have us trekking up and down US 95 just to trade with them. Shit’s bad enough we gotta go between here and Nipton. Or even Cottonwood Cove.”
Gene nodded. US 95 was the highway between Searchlight and Vegas. The journey was long, slow, and arduous. He had never done it before, nor did he ever have a desire to. There was no reason for him to, not when Nevada 164 provided him with all he needed.
“This town’s gone to hell, is what’s happened. You know Harvey’s gonna let ’em run all over us soon enough.”
“Oh, shut your mouth. Whole world went to hell when they decided to nuke the damn place. And now we’s the fools for letting a bunch of play-pretends shake up the natural order of things.”
“Mhm, mhm.”
The old man filled up Gene’s canteen one last time. The sky was turning over to shades of pink and purple, and soon they would need to take shelter. They could already feel the first whispers of nighttime brush against their skin.
‘You goin back to your daddy tonight?”
“Aw, hell. He ain’t even been home for days now. Last I saw him, he was hidin out somewhere on the east side, drunk outta his mind.”
“Mmh.”
“Not that I mind. I’d rather him out the house than in.”
“Believe it or not, your daddy was good folk once upon a time. Used to hang around together. A shame what he’s done to himself.”
“Not that I would know.”
“No, I guess you wouldn’t.”
Gene nodded slowly and took a sip of water, savoring it.
Now, as he walks along the road, remembering how refreshing it had tasted causes him to press his dry tongue against the roof of his mouth. The sun beats down upon him, and the rags covering his head can only do so much. The town is far enough behind him now, but he keeps going forward.
On both sides of Nevada 164, Joshua trees litter the Wasteland. They form a type of forest entirely unique to the Mojave. Ahead, the road curves northward and skirts around the McCullough Range. To the north, Vegas, just beyond the lowland mountains. Recently, on clear nights, you can even see the lights, seemingly brighter and brighter as time goes on.
But here, now, it is not night, and the sun ravages the Wastes. Gene has walked for three hours, as far as he can guess. In front of him, a large mountain imposes itself. He wipes the sweat off his brow.
“Shit.”
He slumps to the ground and pulls out his canteen. It’s almost halfway empty. Alarming, considering he still must walk back.
“Hell.”
He turns his face upwards, towards the mountains. The sun beats down upon him, and he must shield his eyes from it. He hopes they will be here soon, his target.
He composes himself and shifts to a crouching position among the Joshua trees beside him. He pulls his rifle from behind his back, grunts, and digs the stock into his shoulder. He pulls the rifle up to view the scope—up to 10x, worth a month of pillaging ruins. Adjusting the optic with his thumb and index fingers, he focuses on where the road curves ahead.
There is nothing.
He lowers the rifle and chews on his bottom lip. He wishes he had brought some tobacco. He tilts his head slightly to get a general idea of where the sun is. He figures it’s around time.
“Well.”
He waits, periodically checking the road through his rifle. The sun moves through the sky above him, its path lackadaisical. There is little sound. Just the breeze and the dust moving against the trees, through the spikey leaves. His heart beats steadily in his chest, and a drop of sweat, potent, forges a line through the grime covering his face. Occasionally, he sips some water. He takes a deep breath, holds, and releases.
Eventually, when checking his scope, he spots some movement.
“There’s you.”
He estimates them to be about 20 minutes away, maybe less. The scope doesn’t zoom far enough to get a great image of them, but he knows it’s his caravan. Carefully, he moves back into the brush. Patiently, he waits.
Once they’re within range, he finally gets a good look. In total, there are only two guards, armed with a rifle each; although, he can’t tell from this distance what exactly they are. Most likely they’ll be cheap bolt-actions, slow and hard to use in close combat. Perfect for him. They walk alongside their cargo: some beast of burden carrying a rather large payload and a single slave—a boy, probably no more than 14 years old, fettered.
They came from Southern California, but the Mojave was not their final destination. Slavers traveled straight through Searchlight towards Cottonwood Cove, where they ultimately sell their wares down river towards whatever remained of Arizona. Searchlight hadn’t been so accepting of these human salesmen as of recently, but they were tolerated on account of the crucial supplies they brought with them.
No matter how many times Gene hit them, they couldn’t change routes. Vegas had outlawed their presence, and Nevada 164 was the only way to Cottonwood Cove. It was the perfect scenario for him.
They are within range now, and through his scope, Gene can almost see the whites of their eyes. They walk in silence, the guards to the front, and the boy in the rear. The men are unafraid, unaware. The boy stares at the ground. They walk past the ruins of a very old car, pre-war, and this seems like as good of a time as any.
He reaches down to his belt and pulls out a single round of .308 Winchester. Each one was worth 30 pieces—the small shards of scrap metal they currently used for trading. The cartridge is smooth to the touch, the metal warm, and he rubs his thumb over it with care. He inserts it directly in the chamber and pushes it firmly into place with the bolt of the gun. A satisfying sound of metal against metal.
He breathes deeply and lines up his shot. The man—his victim—in his crosshairs stares unknowingly past him down the road. His finger grips the trigger delicately, and he squeezes it gently, gently.
There is no silencer on his rifle, and the first shot echoes loudly over the endless Wasteland surrounding them. The second guard raises his gun instinctively but his head jerks to his right at the sound of the other man’s body slumping to the ground. Gene pulls back on the bolt and lets the shell eject. He reaches down and grabs another round, placing it in the chamber as he did the first. He pushes the bolt back into place and looks through the scope once more. Whatever animal they had with them has run off at the sound, and the slave boy has run into the trees on the left of the roadbed. The remaining cara- van guard looks around him desperately, wildly, and Gene almost feels bad. He focuses on his face as the man is bent over his friend. He looks up from him, and for a second, Gene can almost swear the man’s eyes lock into his.
The second shot rings out much like the first one, and the man’s body falls flat onto the body of the first guard. And then silence.
Gene stands up from his position and walks out into the road. The road is clear now, and he spots the slave boy where he has sat beneath a Joshua tree. Gene walks forward, his gun in the lowered position, until he is above the bodies of the caravan guards. The boy, to his left, sobbing, and Gene, with his foot, pokes one of the carcasses. No movement.
He is short, small, and light brown. His hands are covering his face, and the chain between the shackles on his wrists droops down towards his slim knees. His thin body heaves and falls in tandem with his heavy sobs. His hair is brown and messy, and the tips of his fingers push up on some of the strands.
In the back of Gene’s mind, he is already assessing how many pieces he will sell for. But at the forefront is the adrenaline and the excitement and the heat and the fact that they are alone. Quickly, he slings the rifle over his shoulder and grabs the boy by the arm. He screams in protests, but Gene is stronger than him and unshackled. The boy is weak beneath his grip, and he pushes him against the hood of the old sedan.
The boy is saying something, but Gene can’t understand him. He speaks in what he thinks is Spanish, and he talks rather quickly. Gene can only hear the word “no” sprinkled throughout his sentences.
“Calm down,” he says. “You’re gonna live.”
The boy is facing him, his back against the hood. He stands over him, his body casting a shadow over the boy almost entirely. The slave shakes his head and mumbles something else.
“I said I’m not gonna kill you. Don’t you understand?”
The boy continues crying and spitting out mysterious words.
“I guess not.”
Gene looks down at him. He isn’t exactly a prize to be had. His lips are cracked, most likely from dehydration, and his nose is bent a little funny to the left, as if God himself had touched it with his finger while making him. Even with his clothes on, Gene can see that his body is abnormally skinny, and he figures you could probably see his ribs sticking out from his skin.
But above all that, more important than all that, is the fact that he was weaker than Gene. He can’t fight back, and that is enough for him to want him.
He presses himself up against the boy and puts his hands on his shoulders, pinning the slave down upon the hood of the car. While he can’t speak Spanish, he can understand the shift in the boy’s tone of voice. He leans in close, places his ear to his chest. He hears the beating of his heart, racing, and he smiles. He picks his head back up and brings it down to the left side of the boy’s head, his lips touching the skin of his ear. With one hand, he reaches under the boy’s shirt.
In the boy’s ear, all the words Gene has ever wanted to say to a woman. And with his hand, he recreates how he would treat one. Beneath him, the boy cries out with horror.
When the shot rings out, the world around Gene is completely silent for what feels like minutes on end. He lifts his head up from beside the boy and looks down. His eyes are red, puffy, and lifeless, wide open. The right side of his head is an awful mash of red, and his ear has disappeared. The hood
of the car beside him starts changing color. Red. Now red. The boy’s lips are parted as if to speak, but no words come out.
The air around Gene feels heavy, almost stuffy, and his vision narrows in on the most random details of the boy’s face. Slowly, with seemingly no thought, Gene turns his head to his right, toward the road. There, in the center, a man with a red face. He’s weakly sitting up, his arms shaking and holding a rifle aimed toward him. Gene locks eyes with the man’s, and the revelation forces itself upon him. The boy had not been his target.
The man lifts his hand to reset the bolt, shaking. There is blood coating the metal workings of the rifle, but the man looks intent on seeing this through. Before he can, Gene’s body moves without any command from his brain. He sprints away from the scene with whatever strength he can summon, leaving everything behind and running in the direction of Searchlight, his home. He thinks of nothing while he runs, the only thing on his mind being the overwhelming desire to keep moving. On the road, there are no other gunshots.
***
The day he died was the day he was born.
The incident on Nevada 164 woke him up. For years, he had killed and raided caravans, traded human lives for money at Cottonwood Cove, but never before had he come so close to death. In the darkness of his room, he isolated himself for three days. Alone with nothing but his mind, he replays the moment over and over, watching as the boy’s head eagerly accepts the bullet in place of his own. A second before or after, and it would have been him. If he had positioned his head to the right instead of the left, it would have been him. Thoughts of the weakness of his flesh consume him. Had he not been prepared for this? Year after year, he killed and raided caravans simply for his own gain.
Did he not see the danger in that? The risk? Or maybe he only saw the reward. Yes, that must have been it. He had only seen the reward. And what a reward this had been.
During the day, he peels the skin off the palms of his hands. The white skin of his flesh becomes gnarled and bloody, much like the boy’s ear. At night, he stares into the void behind his eyelids and tries to make sense of the colors he sees there. He tries to interpret some unknown message from God but fails miserably.
On the third day, he rose from his shelter and left, walking out onto the intersection of US 95 and Nevada 164. He didn’t dare look toward the latter, instead turning toward Marlow’s bar.
“Boy, you know you’re not allowed in here. You best turn right back around and go out.”
Gene sat himself down on one of the stools. There was no one else there.
“Please.”
Marlow looked down at the young man. He shielded his face within his hands, both of which were bandaged.
“What’s got you like that?”
Gene didn’t respond.
“Boy, if you want to stay here, you better answer my questions.”
“I don’t want to be me anymore.”
“Don’t want to be you?”
“I wanna be someone else. I wanna be anyone but me.”
Marlow thought Gene to be a horrible little creature. While the rest of Searchlight tried their best to make do with what they had, Gene seemed likely to burn whatever God handed him. His father had been the same way: always jumping from one thing to the next, always looking for the next big thing. Unwilling to settle down and think about anyone else besides him. Marlow figured there was no use in society for people like Gene.
“You ain’t got anyone but yourself,” he told him. “Why do you wanna be someone else?”
“Because this me ain’t never done no good for anybody.”
“Well.”
Gene lifted his head out of his hands.
“I mean, what’s the point of all of it?”
“What’s the point of what?”
“This.” He gestured around the two of them. “Life. I don’t know. What’s the point of anything we do? It all seems so meaningless.”
Marlow broke out into an unabashed laugh.
“Well, fuck if I thought that I’d wake up this morning to have you here talking to me about the meaning of life.” Gene looked up at him. “Well, kid, I don’t really know. Maybe that’s something only God himself can answer, not that he’s paying any attention to us. But what does that have to do with you wanting to be a different person? The two don’t seem related to me.”
“Forget the whole thing.”
He rose from his seat.
“Well. If you gonna make a big stink over it, why’d you ask in the first place?”
But he didn’t say anything else, promptly exiting where he’d come in. Marlow went back to taking stock of his dwindling wares and cursing Gene under his breath. The world was getting better—anyone could see it. Everyone was trying, doing whatever they could. Gene was the exception. He was the gunk in the machine that kept it from turning smoothly. Marlow shook his head, wondering to himself how someone could be so oblivious to the ways of the world when the world surrounding them was so small to begin with.
“I swear, if he don’t straighten up, he’s gonna find himself at the bottom of a ditch someday soon.”
***
The next day, he went to the old department of transportation. He hadn’t been there before, but he had to walk past it each time he went out on the road. In the recent weeks, Harvey had been using it as a sort of government building. An administrative center, as he had called it. Gene didn’t really understand what all that entailed, and he hadn’t really been interested in finding out the answer. Inside, a lady sat at a desk and asked him why he wanted to speak to the mayor.
“Sorry, I don’t think he can do anything for you,” she said.
“Please, I just want to talk to him for a little bit.”
“Sorry, Gene. I don’t think he can help you.”
“I just need to speak to him. I know if I can just talk to him for a minute, he’ll understand.” He paused. “There’s gotta be something I can do around here. Please, just tell him I’d be willin to do whatever. Anything anybody needs. There’s gotta be folks around here needin help from somebody.”
She shook her head.
“No, Gene. Not from you.”
***
On the east side of town, he went searching for anyone that needed help.
“Kid, you better not be prowlin around here for something. Go back to 164 if you wanna do that.”
Old Mr. Jones sat in a lawn chair with a canteen in his hand. Behind him was his house, a building that looked as though it had been falling apart even before the Great War.
“I ain’t ever goin back there.”
“Mmh.”
“I’m not lookin for anything. I was just seein if you needed anything.”
Jones eyed the young man at the edge of his property and rocked back in his chair.
“Needin anything?”
“I’m goin around offering my services to anyone who needs them.”
Old Mr. Jones snorted.
“And what services would those be?”
“Well, I’m good with a rifle. And I’m strong enough for something.”
“Ain’t no use to me here.”
“I can do whatever,” Gene told him. “Really, I’ll do whatever.”
Old Mr. Jones sniffled and straighten up a bit in his chair.
“Kid, you ain’t got no use to me here.”
***
After a week, he hadn’t made any progress, and he decided to see the old man again. Before sunset, he made his way to the house on the outskirts of the town. He was there, as he always was, rocking back and forth in his chair.
“Heard you’ve been goin around tryin to ‘help’ folks. Suddenly you is a good Samaritan, is that right?”
“Aw, hell. Lay off me.”
Gene sat down in one of the lawn chairs next to him and took in the view of the Mojave in front of them.
“Now, tell me—and I think you will—what’s gotten into you? It’s been over a week since I’ve seen you, and you is actin all funny. I even heard a rumor you tried to see Harvey. Now what would you have to do with a man like that?”
“It’s nothin, really. I just got to thinking is all.”
“Thinkin? About what?”
“About… I don’t know, life. About meaning.”
“Meaning ?”
“Yeah, meaning.”
“Meanin of what?”
“Well… life.”
“Life ain’t got no meaning.” The old man took a swig of water from his canteen. “That’s how God designed it. You gotta do what you can, but it’s silly to think that there’s something more to it.”
“You really think that?”
“Well, sure I do. Why do you think they dropped them bombs? Probably ’cuz they figured nothin much mattered at all. Why else would they? What’s the grand purpose for the end of the world? And that’s the real ticket right there: there ain’t any. And honestly, when I think of it like that, I feel a lot better anyhow.”
Gene thought about what the old man said for a moment.
“It don’t make me feel no better.”
“And that’s your problem then.” The man looked over to him. Gene looked into his eyes, and he found them as infinite as the Mojave Wastes. “Now, c’mon. What really is goin on with you?”
Gene sighed. He kicked a small rock beside his foot.
“I almost died out there, on 164. And not like I got in a gunfight or something. You know I can hold my own. I mean, I really almost died. If it hadn’t been for that boy… I swear, I really would be dead right about now. There ain’t no mistaking it. I just feel like there has to be more to it, y’know? There has to be some reason that I lived and he didn’t. There has to be… well, something more, I guess. Otherwise… what’s the point?”
“Is that it?”
“Huh?”
“I mean, is that really what’s got you so down right now? Somethin like that? Listen here, kid, what you been through… Well, it ain’t exactly special. Look out there. Look.” The old man pointed out towards Nevada 164 and the Mojave. “You think others haven’t been where you been out there? Hell, you’ve brought that same fate to plenty of people. And I done did it too. Your daddy as well. What you been through was just another something awful in a long line of awful things to happen on that road. The only thing special about it is that it might be the last awful thing to occur. Don’t know how much you’ve heard, but rumor is that Harvey’s gonna take the deal with Vegas. No more slavers comin through here after that. I figure Cottonwood Cove might even be done for as well. Really is a shame.”
Gene hadn’t heard this. He hadn’t really heard any of it.
“I just can’t shake it… There’s gotta be something more to it.”
“Now, Gene, that ain’t a great road to be headin down. I know it might seem like you is enlightened or somethin, but it ain’t real. Your daddy thought the same thing as you. He thought there was some purpose to it all as well. And look where he is now. Does that seem like an ‘enlightened’ man to you?”
Gene shook his head slowly.
“No, it ain’t. You right.”
The old man took a sip of water.
“Either way,” Gene said, “I ain’t ever going down 164 again. I mean it. I’m done with that shit. Maybe I’ll just settle down here and do some good for a change.”
“Hard to do good in a world like this.”
“Well, maybe Harvey’s right. Maybe it’s best to stick together, y’know? Might help to do some good, any good, in a world like this one, as you said.”
The old man scoffed.
“Now you sound like them play-pretends. You really think they’s gonna accept you after all the trouble you’ve caused them over the years? Shoo, kid. You better think again.”
“Well. I’m just hoping people might see that I’m not really like that anymore. At least, I’m tryin to change, y’know? I’m tryin to be better. How I used to be… Well, that ain’t me no more. I don’t wanna be like that. That’s the old me.”
“‘Old you’? Ain’t ever been such a thing as that. Lemme tell you some- thin, and I think you’d be best to take this to heart: you is the same as the day you was made. When I look into your eyes, I see the same ones the Good Lord gave to Adam. Ain’t never been such a thing as ‘old you.’”
Gene shuffled a bit in his seat.
“You want more water?”
“Nah, I’m all set.” He rocked back in his chair. Slow, fluid motions. “I figure after today, there won’t be much left for either one of us to want.”
He nodded slowly, despite not knowing what the old man meant. They didn’t say much else to each other the rest of the evening. They simply sat there, on the edge of the only town they knew, and watched the sun set on the Mojave Wastes and the narrow strip of road that offered passage through it.
The bartender slaps my glass
and change on the counter
as in anger, making me wonder
what I did, then I realize it is
a need to put rhythm in his work.
Children drop by the bar
on their way home from school,
stretch a hand up to receive
a small glass of water.
One guy on the stool
next to mine complains
the trouble with democracy
is that you can’t get any hard-
core movies, only soft core.
He thought that after the death
of Franco he would be able
to see it all.
Two dogs sniff and circle,
mount and tumble,
in the small space the men
clear for them.
At the local bar a man cuts
my hair for free as a woman pours
a sparkling cider from a bottle
she holds above her head
into a wide-mouthed glass
positioned below her waist
to escanciar the drink —
this is called friendship,
these are neighbors, they like
each other and welcome
strangers. Here we find
a small pocket of people,
call them human beings,
who care about such things.